10 124,908

Temporary image 124908

2015. GEORGIA, Rustavi City. Zoo. 2nd Tbilisi Triennial, Exhibition 124,908. Exhibition invited artists from around the world to make temporary artworks in the city. Projects were installed throughout the city center, at the local theatre, museum, zoo, factory, and public squares.

Image: Installation view of Leone Contini, Freedom Zoo, 2015, as part of the exhibition 124,908. Photo courtesy Daro Salukauri.

Tara McDowell
124,908
Softcover, 212pp, 127mm x 203mm
Colour indigo digital print + screenprinted dustjacket
1st Edition: 20, 2nd Edition: 70
Design by Žiga Testen
Published by 3-ply, 2016
ISBN 978-0-9873555-9-1
RRP AUD35.00


124,908 by Tara McDowell, with photography by Daro Sulakauri, experiments with how to document exhibitions in an embodied way. It deals with an exhibition that unfolded throughout the postindustrial city of Rustavi in the Republic of Georgia, in conjunction with the 2nd Tbilisi Triennial. The exhibition was titled for Rustavi’s population – 124,908 – and featured works by Xin Cheng, Leone Contini, Eliza Dyball, Clementine Edwards, George Egerton-Warburton, Cevdet Erek, Debris Facility, Emma Fitts, Amy Franceschini, Helen Grogan, Susan Jacobs, Ash Kilmartin, Ieva Misevičiūtė, Virginia Overell, and Kateřina Šedá. Echoing the model of Lucy R. Lippard’s numbers exhibitions from the early 1970s, Tara McDowell and assistant curator Nicholas Tammens invited artists to propose temporary artworks, which were installed in the city center, factory square, museum, theaters, pyramid and zoo, working with local artists, students, and Rustavi residents.

The images within the publication 124,908 were taken by photojournalist Daro Sulakauri over a single day (October 3, 2015) of the exhibition. The fragmented text that intersperses this image narrative reflects the fractured, time-skipping nature of the project’s composition. Lucy R. Lippard has reacted to the project as the “best understood account” of her numbers exhibitions, but 124,908 could also be characterised as facing the impossibilities of re-curation.


  • Launched 1 May 2016 @ Melbourne Art Book Fair, National Gallery of Victoria, Melbourne.